Lovestruck on the Battlefield

THE SCENE: Even on the battlefield, love springs eternal.

THE TEXT: But one of those within the fortress was a woman, daughter of the warrior Gazhdaham, named Gordafarid. When she learned that their leader had allowed himself to be taken, she found his behavior so shameful that her rosy cheeks became as black as pitch with rage. With not a moment’s delay she dressed herself in a knight’s armor, gathered her hair beneath a Rumi helmet, and rode out from the fortress, a lion eager for battle. She roared at the enemy’s ranks, “Where are your heroes, your warriors, your tried and tested chieftains?”

When Sohrab saw this new combatant, he laughed and bit his lip and said to himself, “Another victim has stepped into the hero’s trap.” Quickly he donned his armor and a Chinese helmet and galloped out to face Gordafarid. When she saw him, she took aim with her bow (no bird could escape her well-aimed arrows) and let loose a hail of arrows, weaving to left and right like an experience horseman as she did so. Shame urged Sohrab forward, his shield held before his head to deflect her arrows. Seeing him approach, she laid aside her bow and snatched up a lance and, as her horse reared towards the clouds, she hurled it at her opponent. Sohrab wheeled round and his lance struck Gordafarid in the waist; her armor’s fastenings were severed, but she unsheathed her sword and hacked at his lance, splitting it in two. Sohrab bore down on her again and snatched her helmet from her head; her hair streamed out, and her face shone like a splendid sun. He saw that his opponent was a woman, one whose hair was worthy of a diadem. Her shining teeth and bright red lips and heavenly face were like a paradise to Sohrab; no gardener ever grew so straight and tall a cypress as she seemed to be; her eyes were liquid as a deer’s, her brows were two bent bows, you’d say her body was a bud about to blossom.

Gordafarid tugged at her horse’s reins and wheeled round toward the fortress; Sohrab rode beside her to the gates, which opened and let in the weary, wounded, woman warrior.

– The Shahnameh, Abolqasem Ferdowsi, 10th Century AD